Generations of Harvard alumni came together on campus last weekend to celebrate the arts. The gathering reflected an expanding vision as the arts at Harvard have emerged as a dynamic part of the University’s curriculum.“Like many of you, some of my favorite Harvard memories are built on making or experiencing the arts. The extracurricular energy in the arts community at Harvard has always been vibrant, adventurous, and creative,” said Susan Morris Novick ’85, president of the Harvard Alumni Association. “But in those days, finding a way to pursue artistic interests and get academic credit was perhaps the greatest adventure of all. At long last, all that has changed.”“Question + Create, A Harvard Alumni Gathering On the Arts,” hosted by the Harvard Alumni Association (HAA) in partnership with a University-wide alumni advisory committee, welcomed more than 300 alumni last weekend to explore the arts’ local influence and their far-reaching impact outside the gates.“Your presence, your interest, your enthusiasm have resonated throughout the University, and your many efforts of support over the years have really shown us a path forward to change the face of the arts on campus,” said Harvard President Drew Faust at Friday’s welcome reception.President Drew Faust and husband Charles Rosenberg applaud as Alison Brown ’84 plays banjo with her band. President Faust is a big banjo fan, and Alison Brown played at her inaugural celebration 10 years ago. Jon Chase/Harvard Staff PhotographerThe weekend had special meaning for alumni who could see the fruition of the Task Force on the Arts report, initiated by Faust in 2008. The 10-year-study led to an interdisciplinary program combining historical and theoretical study of the arts with their practice. The Theater, Dance & Media concentration created in 2015 graduated its first concentrators last spring.“The Task Force Report of 2008, and what that report emphasized, is that the arts have an essential place in the cognitive life of the University,” Faust said. “And so for the past decade we have been making that a reality.”The weekend, which featured an interdisciplinary lineup of faculty and alumni speakers, involved exploration of the arts through music and dance performances, interactive panel discussions, tours of campus art spaces, a film screening, and more. Faculty, students, and alumni engaged in the enrichment opportunities spanning topics such as the intersection of the social impact of arts and their role at a University enmeshed in research.Jennifer Luce, M.Des.S. ’94, said she felt the excitement as soon as she arrived on campus.“The arts are the perfect example of successful collaboration with diversity and an enthusiasm that comes from within,” said Jennifer Luce. Jon Chase/Harvard Staff Photographer“I’m an architect, but my passion lies within the arts. For me, the arts are the perfect example of successful collaboration with diversity and an enthusiasm that comes from within,” she said. “We are all coming from the same place of enjoyment, of beauty, of movement, of the written word. That’s why I noticed there are so many people smiling today. It’s wonderful to imagine that art is so alive here on campus. This event allows intersection to happen.”The intersectionality and the climate of diversity in the arts were explored in HAA’s Shared Interest Group panel discussion, “Adding Color to the Arts: Addressing Inequalities in the Cultural Sphere.” Hosted by the Harvard Black Alumni Society, Harvard Arab Alumni Association, Harvard Asian American Alumni Alliance, and Harvard Latino Alumni Alliance, the discussion focused on the complex issues of inequality in the arts and concrete strategies to address it.Karen Jackson-Weaver, Ed.M. ’95, who moderated the discussion, said the topic was not only rich but offered an opportunity for engagement. She asked panel members what is it about the Harvard experience that allows creative people to think deeply about exploring their passions as they relate to diversity and people of color, now and in the future.Alison Brown ’84 performs on banjo with her husband, bassist Garry West. Jon Chase/Harvard Staff Photographer“What do we need to do to create greater access, encourage, and train the next generation to be poised and groomed to take the helm in the field of the arts, artistic excellence, and innovation?” she asked.Panelists included Amy Chu, M.B.A. ’99, comics writer for DC and Marvel; Henry McGee ’74, M.B.A. ’79, senior lecturer of business administration at Harvard Business School and former president of HBO Home Entertainment; and Andrea Zuniga, Ed.M. ’16, director of visual and performing arts in the Cambridge Public School District.Vaughan Bradley-Willemann, M.Ed. ’16, who attended the Friday reception, said there is a common misconception that a Harvard degree will open doors, especially to a person of color. The onetime New York resident now lives in Washington D.C., working as the program manager for Project Create, a nonprofit offering accessible arts education to children and families experiencing homelessness and poverty.“The most powerful thing is how much of the Harvard diaspora cares about the arts, and is involved in the arts either professionally or as a lifelong passion,” said Meredith Max Hodges ’03, M.B.A. ’10. Jon Chase/Harvard Staff Photographer“Especially working in D.C. and with people of color, they want to know that you’re trustworthy, that you’re from the community, and you understand everything,” said Bradley-Willemann. “My specific program at Harvard helped me in that it was interdisciplinary. So many arts were represented. If I had just been in one program, I may not have been as confident applying for certain jobs. A cross-curriculum in the arts does make a difference.”Meredith “Max” Hodges ’03, M.B.A. ’10, executive director of the Boston Ballet, said it is impossible for her to imagine the trajectory of her career and life without her Harvard education.“To me, the most powerful thing is how much of the Harvard diaspora cares about the arts, and is involved in the arts either professionally or as a lifelong passion. It really does feel like there is a Harvard community both here at the University and out there that is passionate about the arts,” she said.Faust said she sees the increasing addition of practicing artists to the faculty as a welcome expansion of the academic community.“I hope that, for all of you this weekend, immersion in the arts at Harvard will encourage you to come back more often to be part of this central component of what is a 21st-century Harvard education,” she said.
LISBON, Portugal (AP) — The pressure appears to be getting to Portugal’s government after almost two weeks at the top of the world rankings of daily new COVID-19 cases and deaths by size of population. Recent flubs include mixed government messages on mask types and online teaching. Regular pandemic news conferences have been discontinued, and there is scant official information on what foreign help is coming. A health chief retorted that finding fault with government pandemic planning is “criminal.” Those episodes have combined to put the Portuguese government politically on the ropes in recent days, as the country takes stock of last month’s devastating pandemic surge.
Press Association Dann’s positional misjudgement gifted Belgium strker Benteke the chance to fire the winner in Villa’s 1-0 Premier League victory at Palace on Tuesday night. The in-form defender has been touted for an England call, with boss Neil Warnock hailing him Palace’s “outstanding player” this term. Scott Dann has admitted he will never win an England call-up if he keeps giving away soft goals like Christian Benteke’s strike that consigned Crystal Palace to Aston Villa defeat. Benteke’s first goal after nine months battling knee surgery ended Villa’s nine-game winless streak, but dragged Palace back into the relegation mire. “It’s nice for people to talk about you in that way,” said Dann of calls for him to earn England recognition. “But as a professional you just get on with your job: I have just got to concentrate on my club form and make sure I don’t many any more mistakes like that. “The more consistent I can be for Palace, the more chance I have got. It is just a case of trying to keep improving and to keep doing the best I can.” Former Blackburn defender Dann raced out of his central position in Tuesday’s Villa clash to chase a lumped ball to the wing, but dallied when he should have booted out of play. Benteke raced in, picked his pocket, headed infield and side-footed past the helpless Julian Speroni, with Brede Hangeland backing off and handing him too much time and space to complete his finish. Palace boss Warnock admitted his defender should have “kicked it over the stand and not been ashamed”, and Dann has accepted responsibility for the goal. That solitary strike proved the winner on a low-quality night, with Palace wasting half-chance after half-chance in a frustrating night for manager Warnock. The otherwise-composed Dann offered a candid assessment of his costly error, pledging to sharpen back up. “Obviously I am disappointed to give the ball away there, it is uncharacteristic for me,” he said. “Ninety-nine times out of 100 I would clear that down the line so that, even if you do lose the ball, they will not go on to score. “But things like that happen in football and you have to learn from your mistakes, get on with it and take the rough with the smooth.” Palace have now slipped to five defeats in eight games and Dann admitted Warnock’s men face a tough challenge to hit back to form in Saturday’s league clash at Tottenham. “It is always a tough game at White Hart Lane,” said Dann. “They are a big club and have got a lot of top players. “They have just started picking up results but we need to sharpen up in the final third. “It is hard to take because we had a lot of the ball and had a lot of chances. “We probably should have put some of them away. We played well and dominated the game and they did not have many chances at all. “Even when we went a goal down I thought we looked in control and looked like we could have scored. “We got the ball into crossing positions but just could not get it right.”